Video Camera Specification Database
Browse our database of specifications for professional video cameras produced since 2011. Audio specs are highlighted to help you find cameras compatible with external microphones like the KLOVER MiK. We have also compiled specification databases for DSLR Cameras, Mirrorless Cameras, Smartphones, and Audio Recorders.
Sony FDR-AX1 2013 4500 1/2.3" Exmor R CMOS 4K UHD (3840x2160) 4K/30fps; 1080p/60fps XAVC S (150 Mbps); AVCHD Dual XQD 3.5" LCD Yes (OLED EVF) Yes (3-step) 189x193x362 2440 2x XLR 3-pin; 3.5mm TRS 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes No Yes First Sony consumer 4K camcorder; 20x G Lens; dual XQD slots
Sony FDR-AX100 2014 2000 1" Exmor R CMOS 4K UHD (3840x2160) 4K/30fps; 1080p/60fps XAVC S; AVCHD SD/SDHC/SDXC 3.0" LCD Yes (OLED EVF) Yes (3-step motorized) 83x86x197 906 3.5mm TRS (XLR via optional XLR-K2M adapter) 2 Plug-in power (48V via optional XLR adapter) Yes (stereo) 16-bit 48 kHz Yes No Yes First 1" consumer 4K; Zeiss Vario-Sonnar T* 12x; OLED EVF
Sony FDR-AX33 2015 1000 1/2.3" Exmor R CMOS 4K UHD (3840x2160) 4K/30fps; 1080p/120fps XAVC S; AVCHD SD/SDHC/SDXC 3.0" LCD Yes (OLED EVF) Yes (3-step) 71x78.5x149.5 655 3.5mm TRS 2 Plug-in power Yes (5.1 surround) 16-bit 48 kHz Yes No Yes B.O.SS 5-axis stabilization; 10x optical zoom
Sony FDR-AX53 2016 1000 1/2.5" Exmor R CMOS 4K UHD (3840x2160) 4K/30fps; 1080p/120fps XAVC S; AVCHD SD/SDHC/SDXC 3.0" LCD Yes (OLED EVF) Yes (3-step) 73x81x161 535 3.5mm TRS 2 Plug-in power Yes (5.1 surround) 16-bit 48 kHz Yes No Yes Successor to AX33; 20x optical zoom; 5-axis stabilization
Sony FDR-AX700 2017 1900 1" stacked Exmor RS CMOS (14.2 MP) 4K UHD (3840x2160) 4K/30fps; 1080p/120fps XAVC S (100 Mbps); AVCHD; MP4 Dual SD/SDHC/SDXC 3.5" LCD Yes (OLED EVF) Yes (variable e-ND) 116x89.5x272 1030 3.5mm TRS 2 Plug-in power Yes (stereo) 16-bit 48 kHz Yes No Yes 4K HDR (HLG); Fast Hybrid AF with 273 phase-detect; shares sensor with PXW-Z90
Sony HXR-NX5R 2016 3800 3x 1/2.8" Exmor CMOS 1080p (1920x1080) 1080p/60p XAVC S (50 Mbps); AVCHD 2.0 Dual SD/SDHC/SDXC 3.5" LCD Yes (OLED EVF) Yes (3-step) 176x199.5x385 2110 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes Yes (3G-SDI) Yes 3G-SDI; XAVC S; Wi-Fi/FTP streaming; built-in LED light; 20x zoom
Sony HXR-NX80 2018 2298 1" stacked Exmor RS CMOS 4K UHD (3840x2160) 4K/30fps; 1080p/120fps XAVC S; AVCHD Dual SD/SDHC/SDXC 3.5" LCD Yes (OLED EVF) Yes (variable e-ND) 130x181.5x287 955 2x XLR 3-pin (via handle) 2 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes No Yes 4K HDR; Fast Hybrid AF; no SDI; shares sensor with FDR-AX700/PXW-Z90
Sony HXR-NX200 2019 2500 1" Exmor R CMOS (14.2 MP) 4K UHD (3840x2160) 4K/30fps; 1080p/60fps XAVC S (100 Mbps); AVCHD Dual SD/SDHC/SDXC 3.5" LCD Yes (EVF) Yes (3-step) 171.3x187.8x371.3 1800 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes No Yes 4K NXCAM; 24x Clear Image Zoom; no SDI
Sony HXR-NX800 2024 3299 1" stacked Exmor RS CMOS (14.0 MP) 4K UHD (3840x2160) 4K/120fps; 1080p/240fps XAVC HS Long; XAVC S Long; XAVC S-I Dual CFexpress Type A / SD 3.5" LCD (1280x720) Yes (electronic EVF) Yes (variable: Clear/1/4/1/16/1/64/linear) 175.6x201.3x371.1 1930 2x XLR 3-pin; 3.5mm TRS 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes No Yes (Type A) AI AF; auto-framing; BIONZ XR; 20x zoom 24-480mm; color-match to Cinema Line
Sony PXW-X70 2014 3150 1" Exmor R CMOS (14.2 MP) 1080p (4K via paid firmware upgrade) 1080p/60fps (4K/30fps with upgrade) XAVC S; XAVC L; MPEG HD 422; AVCHD Dual SD/SDHC/SDXC 3.2" LCD Yes (EVF) Yes (3-step) 120x130x241 880 1x XLR 3-pin; 3.5mm TRS 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes No Yes Compact XDCAM; 1" sensor; 4K paid firmware upgrade; 12x zoom
Sony PXW-Z100 2013 6500 1/2.33" Exmor R CMOS (8.8 MP) 4K (4096x2160) 4K/60fps XAVC (500-600 Mbps); MPEG HD 422; AVCHD Dual SxS 3.5" LCD Yes (0.45" EVF) Yes (3-step) 180x208x430 2400 2x XLR 3-pin 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (3G-SDI) Yes First Sony XDCAM 4K camcorder; 20x G Lens; wide angle 29.5mm equiv.
Sony PXW-X160 2014 5300 3x 1/3" Exmor CMOS 1080p (1920x1080) 1080p/60p XAVC Intra; XAVC Long; MPEG HD 422 (50 Mbps) Dual SxS 3.5" LCD Yes (0.45" EVF) Yes (variable + 3-step mechanical) 191.5x201.5x412 2700 2x XLR 3-pin (on handle) 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (3G-SDI) Yes First Sony XDCAM with variable ND; 25x G Lens; Wi-Fi
Sony PXW-X180 2014 6600 3x 1/3" Exmor CMOS 1080p (1920x1080) 1080p/60p XAVC Intra; XAVC Long; MPEG HD 422; AVCHD Dual SxS 3.5" LCD Yes (0.45" EVF) Yes (variable e-ND) 191.5x201.5x412 2700 2x XLR 3-pin 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (3G-SDI) Yes Adds Wi-Fi/NFC/GPS vs X160; MI shoe; MP4 proxy recording; 25x G Lens
Sony PXW-X200 2014 7500 3x 1/2" Exmor CMOS (2.07 MP per chip) 1080p (1920x1080) 1080p/60p XAVC Intra; XAVC Long; MPEG HD 422; MPEG IMX; DVCAM Dual SxS 3.5" LCD Yes (0.45" EVF) Yes (3-step) 168x161x331 2400 2x XLR 3-pin 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (3G-SDI) Yes Larger 1/2" 3-chip sensors; 17x Fujinon HD zoom lens; successor to PMW-200
Sony PXW-Z150 2016 4000 1" stacked Exmor RS CMOS 4K UHD (3840x2160) 4K/30fps; 1080p/120fps XAVC Long (100 Mbps); MPEG HD 422; AVCHD Dual SD/SDHC/SDXC 3.5" LCD Yes (EVF) Yes (3-step) 171.3x187.8x371.3 2300 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (3G-SDI) Yes First Sony pro cam with 1" stacked CMOS; 10-bit S-Log3/HLG; 12x zoom
Sony PXW-Z90 2018 2798 1" stacked Exmor RS CMOS (14.2 MP) 4K UHD (3840x2160) 4K/30fps; 1080p/120fps XAVC S; AVCHD Dual SD/SDHC/SDXC 3.5" LCD Yes (OLED EVF) Yes (variable e-ND) 130x181.5x287 1020 2x XLR 3-pin (via handle) 2 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (3G-SDI) Yes Palm-sized XDCAM with SDI; Fast Hybrid AF; 4K HDR; 12x zoom
Sony PXW-Z190 2018 4000 3x 1/3" CMOS 4K UHD (3840x2160) 4K/60fps; 1080p/60fps XAVC L (150 Mbps); MPEG HD 422; DVCAM Dual SD/MS 3.5" LCD Yes (OLED EVF, 2.36M dots) Yes (3-step + linear variable) 190x202x419.7 2300 2x XLR 3-pin 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (3G-SDI) Yes 3-chip 4K XDCAM; 4K 60p 4:2:0; HD 4:2:2 10-bit; 25x zoom; face detection AF; GPS
Sony PXW-Z280 2018 7500 3x 1/2" BSI Exmor R CMOS 4K UHD (3840x2160) 4K/60fps XAVC-I (600 Mbps); XAVC-L; MPEG HD 422 Dual SxS 3.5" LCD (1.56M dots) Yes (0.5" OLED EVF, 2.36M dots) Yes (4-step + linear variable) 178.4x202x426.3 2600 2x XLR 3-pin 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI) Yes World's first 4K 3-chip handheld with 4K/60p; 4:2:2 10-bit 4K; 17x pro zoom
Sony PXW-Z200 2024 3999 1" stacked Exmor RS CMOS (14.0 MP) 4K UHD (3840x2160) 4K/120fps; 1080p/240fps XAVC HS; XAVC S; XAVC S-I; XAVC Long MXF; MPEG HD 422 Dual CFexpress Type A / SD 3.5" LCD (1280x720) Yes (EVF) Yes (variable: Clear/1/4/1/16/1/64/linear) 175.6x201.3x371.1 1960 2x XLR 3-pin; 3.5mm TRS 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI) Yes Successor to PXW-Z190; AI AF; auto-framing; BIONZ XR; 20x zoom
Sony PXW-FX9 2019 10998 Full Frame 6K Exmor R (35.7x18.8 mm, 19 MP) 4K UHD (from 6K oversampling) 4K/60fps; 1080p/~180fps XAVC-I (600 Mbps); XAVC-L; MPEG HD 422 (RAW via XDCA-FX9 ext.) Dual XQD 3.5" LCD Yes (OLED EVF) Yes (variable e-ND — first FF e-ND) 146x142.5x229 2000 2x XLR 3-pin 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI + 3G-SDI) Yes Full-frame XDCAM; 15+ stops DR; dual base ISO 800/4000; genlock; RAW via ext.
Sony NEX-FS700 2012 7999 Super 35 Exmor CMOS (4352x2662) 1080p internal; 4K RAW via external recorder 1080p/240fps; 960fps burst (reduced res) AVCHD; MPEG-2 HD (4K RAW to external Odyssey 7Q) Dual SD/SDHC/SDXC 3.5" LCD (920K dots) Yes (detachable OLED EVF) Yes (3-step) 126.5x101.5x101.5 1470 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes Yes (3G-SDI) Yes Iconic super slow-motion camera; E-Mount; up to 960fps burst; FS700R adds 4K RAW out
Sony PXW-FS7 2014 8000 Super 35 Exmor CMOS (4K, 8.8 MP) 4K UHD (3840x2160) 4K/60fps; 1080p/180fps XAVC-I (600 Mbps); XAVC-L; MPEG HD 422 (RAW via XDCA-FS7) Dual XQD 3.5" LCD Yes (OLED EVF, detachable) No (variable ND via XDCA-FS7 adapter) 156x239x247 2000 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (2x 3G-SDI) Yes Documentary/ENG workhorse; E-Mount; 14 stops DR; S-Log3; no built-in ND
Sony PXW-FS7 II 2016 9000 Super 35 Exmor CMOS (4K, 8.8 MP) 4K UHD (3840x2160) 4K/60fps; 1080p/180fps XAVC-I (600 Mbps); XAVC-L; MPEG HD 422 Dual XQD 3.5" LCD Yes (OLED EVF) Yes (variable e-ND — added vs FS7 Mk1) 158.9x245.2x247 2000 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (2x 3G-SDI) Yes Adds variable e-ND vs FS7 Mk1; new grip with improved ergonomics; torque ring
Sony PXW-FS5 2015 5600 Super 35 Exmor CMOS (11.6 MP) 4K UHD (3840x2160) 4K/60fps; 1080p/240fps burst XAVC-L (100 Mbps); XAVC-S; AVCHD (4K RAW via SDI to external) Dual SD/SDHC/SDXC None (clip-on LCD panel accessory) No integrated EVF (clip-on LCD panel) Yes (variable e-ND) 113.2x172.4x128.7 830 2x XLR 3-pin (1 body, 1 on removable handle) 2 Phantom 48V No 24-bit 48 kHz Yes Yes (3G-SDI; 4K RAW to external) Yes Ultra-compact Super 35; E-Mount; variable e-ND; modular; no built-in mic
Sony PXW-FS5 II 2018 5600 Super 35 Exmor CMOS (11.6 MP) 4K UHD (3840x2160) 4K/60fps; 1080p/120fps continuous; 240fps burst XAVC-L (100 Mbps); XAVC-S (4K RAW via SDI) Dual SD/SDHC/SDXC None (LCD panel accessory) No integrated EVF Yes (variable e-ND) 113.2x172.4x128.7 830 2x XLR 3-pin (1 body, 1 handle) 2 Phantom 48V No 24-bit 48 kHz Yes Yes (3G-SDI; 4K RAW out added vs Mk1) Yes Adds 4K RAW output via SDI + continuous 120fps 1080p + HLG vs FS5 Mk1
Sony FX6 (ILME-FX6) 2020 5999 Full Frame 12.9 MP BSI Exmor R (35.6x23.8 mm) 4K UHD + 4K DCI (4096x2160) 4K/120fps; 1080p/120fps XAVC S; XAVC HS; XAVC-I (600 Mbps); 16-bit RAW via SDI/HDMI Dual CFexpress Type A / SD 3.5" LCD touchscreen (vari-angle) No built-in EVF Yes (variable e-ND 1/4-1/128) 129.7x77.8x84.5 890 2x XLR 3-pin (integrated on body) 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI; RAW out) Yes (Type A; RAW out) Full-frame Cinema Line; built-in SDI; integrated variable ND; dual native ISO 800/12800
Sony FX3 (ILME-FX3) 2021 3900 Full Frame 12.1 MP BSI Exmor R 4K UHD (3840x2160) 4K/120fps; 1080p/120fps XAVC S; XAVC HS; 16-bit RAW via HDMI Dual CFexpress Type A / SD 3.0" LCD touchscreen (vari-angle) No built-in EVF No 129.7x77.8x84.5 640 3.5mm TRS (XLR via optional XLR-K3M handle unit) 2 Plug-in power (48V phantom via optional XLR handle) Yes (stereo) 24-bit (with XLR handle) 48 kHz Yes No Yes (Type A; 16-bit RAW out) Compact FF Cinema Line; no SDI; no built-in ND; XLR handle sold separately
Sony FX30 (ILME-FX30) 2022 1799 APS-C/Super 35 BSI 26 MP Exmor R (23.3x15.5 mm) 4K UHD (3840x2160) 4K/120fps; 1080p/120fps XAVC S (H.264); XAVC HS (H.265); 16-bit ProRes RAW via HDMI (to 60fps) Dual CFexpress Type A / SD 3.0" LCD touchscreen (vari-angle) No built-in EVF No 129.7x77.8x84.5 646 3.5mm TRS (XLR via optional handle) 2 Plug-in power (48V via optional XLR handle) Yes (stereo) 16-bit (body); 24-bit (XLR handle) 48 kHz Yes No Yes (Type A; 16-bit RAW out) Most affordable Cinema Line; APS-C/S35; 14+ stops DR; dual native ISO; S-Cinetone; BIONZ XR
Canon XA10 2011 2000 1/3" CMOS 1080p (1920x1080) 1080p/60i; 30p; 24p AVCHD (H.264 up to 24 Mbps) SD/SDHC/SDXC + 64 GB built-in flash 3.0" LCD (921K dots) Yes (0.24" EVF, 260K dots) Yes (ND1/2; ND1/4; ND1/8) 77x77x161 775 3.5mm TRS; 2x XLR 3-pin (on handle) 2 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes No Yes 10x zoom; integrated handle with XLR; 64 GB built-in memory
Canon XA20 2013 2199 1/3" HD CMOS PRO 1080p (1920x1080) 1080p/60p AVCHD (28 Mbps); MP4 (35 Mbps) Dual SD/SDHC/SDXC 3.5" OLED touchscreen (1.23M dots) Yes (0.24" EVF, 1.56M dots) Yes (~3 stops) 109x84x182 870 3.5mm TRS; 2x XLR 3-pin (on handle) 2 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes No Yes (mini HDMI) 20x zoom; 26.8mm wide angle; DIGIC DV 4
Canon XA25 2013 2699 1/3" HD CMOS PRO 1080p (1920x1080) 1080p/60p AVCHD (28 Mbps); MP4 (35 Mbps) Dual SD/SDHC/SDXC 3.5" OLED touchscreen Yes (0.24" EVF, 1.56M dots) Yes (~3 stops) 109x84x182 875 3.5mm TRS; 2x XLR 3-pin (on handle) 2 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes Yes (HD/SD-SDI BNC) Yes (mini HDMI) XA20 + HD/SD-SDI; all other specs identical to XA20
Canon XA30 2015 2499 1/3" HD CMOS PRO (improved) 1080p (1920x1080) 1080p/60p AVCHD (28 Mbps); MP4 (35 Mbps) Dual SD/SDHC/SDXC 3.5" TFT LCD touchscreen (1.23M dots) Yes (0.24" EVF, 1.56M dots) Yes (~3 stops) 109x84x182 730 3.5mm TRS; 2x XLR 3-pin (on handle) 2 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes No Yes (mini HDMI) 20x zoom; ~40% noise reduction vs XA20/25; Wide DR mode
Canon XA35 2015 2999 1/3" HD CMOS PRO 1080p (1920x1080) 1080p/60p AVCHD (28 Mbps); MP4 (35 Mbps) Dual SD/SDHC/SDXC 3.5" TFT LCD touchscreen Yes (0.24" EVF, 1.56M dots) Yes (~3 stops) 109x84x182 740 3.5mm TRS; 2x XLR 3-pin (on handle) 2 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes Yes (HD/SD-SDI BNC) Yes (mini HDMI) XA30 + HD/SD-SDI output; otherwise identical to XA30
Canon XA40 2019 1699 1/2.3" CMOS 4K UHD (3840x2160) 4K/30p; 1080p/60p XF-AVC; MP4 (H.264/H.265) Dual SD/SDHC/SDXC 3.0" LCD touchscreen No No 109x84x182 730 3.5mm TRS; 2x XLR 3-pin (on handle, 48V) 4 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes No Yes (mini HDMI) 20x zoom; DIGIC DV 6; 4K 4:2:0 8-bit; 1080p 4:2:2 10-bit
Canon XA45 2019 2199 1/2.3" CMOS 4K UHD (3840x2160) 4K/30p; 1080p/60p XF-AVC; MP4 (H.264/H.265) Dual SD/SDHC/SDXC 3.0" LCD touchscreen No No 109x84x182 740 3.5mm TRS; 2x XLR 3-pin (on handle, 48V) 4 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes Yes (3G-SDI BNC) Yes (mini HDMI) XA40 + 3G-SDI output
Canon XA50 2019 2199 1.0" CMOS 4K UHD (3840x2160) 4K/30p; 1080p/60p XF-AVC; MP4 (H.264/H.265); 1080p 4:2:2 10-bit Dual SD/SDHC/SDXC 3.5" LCD touchscreen No No 109x91x214 960 3.5mm TRS; 2x XLR 3-pin (on handle, 48V) 4 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes No Yes (mini HDMI) 1" sensor; Dual Pixel CMOS AF; 15x zoom; Wide DR Gamma mode
Canon XA55 2019 2699 1.0" CMOS 4K UHD (3840x2160) 4K/30p; 1080p/60p XF-AVC; MP4 (H.264/H.265) Dual SD/SDHC/SDXC 3.5" LCD touchscreen No No 109x91x214 970 3.5mm TRS; 2x XLR 3-pin (on handle, 48V) 4 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes Yes (3G-SDI BNC) Yes (mini HDMI) XA50 + 3G-SDI output
Canon XA60 2022 1799 1/2.3" CMOS 4K UHD (3840x2160) 4K/30p; 1080p/60p XF-AVC; MP4 Dual SD/SDHC/SDXC 3.5" LCD touchscreen Yes (0.36" OLED EVF, tiltable) No 109x84x182 730 3.5mm TRS; 2x XLR 3-pin (on handle, 48V) 4 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes No Yes (mini HDMI) 20x zoom; Hybrid AF; DIGIC DV 6; USB-C output (UVC); adds EVF vs XA40
Canon XA65 2022 2299 1/2.3" CMOS 4K UHD (3840x2160) 4K/30p; 1080p/60p XF-AVC; MP4 Dual SD/SDHC/SDXC 3.5" LCD touchscreen Yes (0.36" OLED EVF, tiltable) No 109x84x182 740 3.5mm TRS; 2x XLR 3-pin (on handle, 48V) 4 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes Yes (3G-SDI BNC) Yes (mini HDMI) XA60 + 3G-SDI output
Canon XA70 2022 2499 1.0" CMOS 4K UHD (3840x2160) 4K/30p; 1080p/60p XF-AVC; MP4 Dual SD/SDHC/SDXC 3.5" LCD touchscreen Yes (0.36" OLED EVF, tiltable) Yes (3-stop built-in optical ND) 109x91x214 960 3.5mm TRS; 2x XLR 3-pin (on handle, 48V) 4 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes No Yes (mini HDMI) 1" sensor; Dual Pixel CMOS AF; 15x zoom; built-in ND; USB-C (UVC)
Canon XA75 2022 2999 1.0" CMOS 4K UHD (3840x2160) 4K/30p; 1080p/60p XF-AVC; MP4 Dual SD/SDHC/SDXC 3.5" LCD touchscreen Yes (0.36" OLED EVF, tiltable) Yes (3-stop built-in optical ND) 109x91x214 970 3.5mm TRS; 2x XLR 3-pin (on handle, 48V) 4 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes Yes (3G-SDI BNC) Yes (mini HDMI) XA70 + 3G-SDI output
Canon XF100 2011 2995 1/3" HD CMOS PRO 1080p (1920x1080) 1080p/60i; 30p; 24p MPEG-2 Long GOP 4:2:2 50 Mbps (MXF) Dual CF 3.5" LCD (920K dots) Yes (0.24" EVF, 260K dots) Yes (ND1/4; ND1/16; ND1/64) 121x148x250 1020 3.5mm TRS; 2x XLR 3-pin (built-in body) 2 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes No Yes (Type A) 10x zoom; 50 Mbps MPEG-2 4:2:2 MXF; compact form; no SDI
Canon XF105 2011 3999 1/3" HD CMOS PRO 1080p (1920x1080) 1080p/60i; 30p; 24p MPEG-2 Long GOP 4:2:2 50 Mbps (MXF) Dual CF 3.5" LCD (920K dots) Yes (0.24" EVF, 260K dots) Yes (ND1/4; ND1/16; ND1/64) 121x148x250 1070 3.5mm TRS; 2x XLR 3-pin (built-in body) 2 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes Yes (HD/SD-SDI BNC) Yes (Type A) XF100 + HD/SD-SDI + Genlock + Timecode
Canon XF200 2014 3900 1/2.84" HD CMOS 1080p (1920x1080) 1080p/60p MPEG-2 Long GOP 4:2:2 50 Mbps (MXF/CF); H.264 MP4 (SD) Dual CF + SD/SDHC/SDXC 3.5" OLED (1.23M dots) Yes (0.45" EVF, 1.23M dots) Yes (approx. ND1/4; ND1/16; ND1/64) 144x158x264 1510 3.5mm TRS; 2x XLR 3-pin (built-in) 4 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes No Yes (Type A) 20x zoom; Wi-Fi/LAN; 4-ch audio (MXF mode); no SDI
Canon XF205 2014 4400 1/2.84" HD CMOS 1080p (1920x1080) 1080p/60p MPEG-2 Long GOP 4:2:2 50 Mbps (MXF/CF); H.264 MP4 Dual CF + SD/SDHC/SDXC 3.5" OLED (1.23M dots) Yes (0.45" EVF, 1.23M dots) Yes (approx. ND1/4; ND1/16; ND1/64) 144x158x264 1560 3.5mm TRS; 2x XLR 3-pin 4 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes Yes (3G/HD-SDI BNC) Yes (Type A) XF200 + 3G/HD-SDI + Genlock + Timecode
Canon XF300 2011 6799 3x 1/3" CMOS (3-chip) 1080p (1920x1080) 1080p/60i; 60p; 30p; 24p MPEG-2 Long GOP 4:2:2 50 Mbps (MXF) Dual CF 4.0" LCD (1.23M dots) Yes (0.52" EVF, 1.55M dots) Yes (ND1/4; ND1/16; ND1/64) 180x236x396 2630 2x XLR 3-pin (built-in body) 2 Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes No Yes (Type A) 3-chip system; 18x Canon HD Video L lens; no SDI
Canon XF305 2011 7999 3x 1/3" CMOS (3-chip) 1080p (1920x1080) 1080p/60i; 60p; 30p; 24p MPEG-2 Long GOP 4:2:2 50 Mbps (MXF) Dual CF 4.0" LCD (1.23M dots) Yes (0.52" EVF, 1.55M dots) Yes (ND1/4; ND1/16; ND1/64) 180x236x396 2670 2x XLR 3-pin (built-in body) 2 Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes Yes (HD/SD-SDI BNC) Yes (Type A) XF300 + HD/SD-SDI + Genlock + Timecode
Canon XF400 2017 2999 1.0" CMOS 4K UHD (3840x2160) 4K/60p; 1080p/120p XF-AVC; MP4 (H.264/H.265) Dual SD/SDHC/SDXC 3.5" LCD touchscreen No Yes (ND1/4; ND1/16; ND1/64) 135x97x214 1145 3.5mm TRS; 2x XLR 3-pin (built-in body, 48V) 4 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes No Yes (Type A) 1" sensor; Dual Pixel AF; 15x zoom; 4K/60p; no SDI
Canon XF405 2017 3499 1.0" CMOS 4K UHD (3840x2160) 4K/60p; 1080p/120p XF-AVC; MP4 (H.264/H.265) Dual SD/SDHC/SDXC 3.5" LCD touchscreen No Yes (ND1/4; ND1/16; ND1/64) 135x97x214 1150 3.5mm TRS; 2x XLR 3-pin (built-in body, 48V) 4 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes Yes (3G-SDI BNC) Yes (Type A) XF400 + 3G-SDI
Canon XF605 2021 4599 1.0" CMOS 4K UHD (3840x2160) 4K/60p; 1080p/120p XF-AVC; MP4 (H.264/H.265); 4K 4:2:2 10-bit Dual SD/SDHC/SDXC 3.5" LCD touchscreen No Yes (3-density ND) 168x173x333 2000 3.5mm TRS; 2x XLR 3-pin (48V) 2 Plug-in power; Phantom 48V (XLR) Yes (stereo) 16-bit 48 kHz Yes Yes (3G-SDI BNC) Yes (Type A) 15x L-series lens; Dual Pixel AF with Eye Detection; built-in Wi-Fi/Ethernet; 4K 4:2:2 10-bit
Canon XC10 2015 2499 1.0" CMOS (12 MP) 4K UHD (3840x2160) 4K/30p; 1080p/60p XF-AVC Intra H.264 (305 Mbps, CFast); H.264 Long GOP (50 Mbps, SD) CFast 2.0 + SD 3.0" LCD touchscreen No (loupe accessory available) Yes (3-stop ND1/8) 125x102x122 910 3.5mm TRS (no XLR on body) 2 Plug-in power only Yes (stereo) 16-bit 48 kHz Yes No Yes (mini HDMI) 10x zoom; 4K to CFast at 305 Mbps intraframe; hybrid still/video; no XLR
Canon XC15 2016 3000 1.0" CMOS (12 MP) 4K UHD (3840x2160) 4K/30p; 1080p/60p XF-AVC Intra H.264 (305 Mbps, CFast); H.264 Long GOP (50 Mbps, SD) CFast 2.0 + SD 3.0" LCD touchscreen No (loupe accessory included) Yes (3-stop) 128x106x122 955 3.5mm TRS; 2x XLR 3-pin (via included MA-400 adapter) 2 Plug-in power; Phantom 48V (via MA-400 adapter) Yes (stereo) 16-bit 48 kHz Yes No Yes (mini HDMI) XC10 + XLR adapter + Canon Log + waveform monitor
Canon EOS C100 2012 7999 Super 35mm CMOS (24.6x13.8 mm) 1080p (1920x1080) 1080p/60i; 30p; 24p AVCHD (H.264 up to 24 Mbps) Dual SD/SDHC/SDXC 3.5" LCD (922K dots, removable) Yes (0.24" EVF, 1.55M dots) Yes (Off/2/4/6 stops) 135x170x129 1020 3.5mm TRS; 2x XLR 3-pin (top handle) 2 Plug-in power; Phantom 48V (XLR) Yes (mono body; stereo handle) 16-bit 48 kHz Yes No Yes (Type A) Super 35; EF mount; modular design; AVCHD only (no RAW); no SDI
Canon EOS C100 Mark II 2014 5499 Super 35mm CMOS (24.6x13.8 mm) 1080p (1920x1080) 1080p/60i; 30p; 24p AVCHD (H.264 up to 28 Mbps); MP4 Dual SD/SDHC/SDXC 3.5" OLED (1.23M dots, fully articulating) Yes (0.46" EVF, tiltable) Yes (Off/2/4/6 stops) 135x170x129 1000 3.5mm TRS; 2x XLR 3-pin (top handle) 2 Plug-in power; Phantom 48V (XLR) Yes (stereo handle) 16-bit 48 kHz Yes No Yes (Type A) Adds Dual Pixel CMOS AF; larger tiltable EVF; lower price than original C100
Canon EOS C200 2017 7499 Super 35mm CMOS (24.4x13.5 mm, 8.85 MP) 4K DCI (4096x2160) 4K/30p; 1080p/120p Cinema RAW Light (CFast); MP4 H.264 (SD) 1x CFast 2.0 + 2x SD 4.0" LCD touchscreen (removable) Yes (0.46" OLED EVF, 1.23M dots) Yes (motorized up to 10 stops) 144x153x179 1430 3.5mm TRS; 2x XLR 3-pin (48V) 4 Plug-in power; Phantom 48V (XLR) Yes (mono) 24-bit 48 kHz Yes No Yes (Type A) First Canon with internal Cinema RAW; EF mount; no SDI
Canon EOS C300 2012 20000 Super 35mm CMOS (24.6x13.8 mm, 8.29 MP) 1080p (1920x1080) 1080p/60i; 60p; 30p; 24p MPEG-2 Long GOP 4:2:2 50 Mbps (MXF) Dual CF 4.0" rotatable LCD (1.23M dots, on monitor unit) Yes (0.52" EVF, 1.23M dots) Yes (Clear/2/4/6 stops) 133x179x171 1430 3.5mm TRS; 2x XLR 3-pin (monitor unit, 48V) 2 Phantom 48V (XLR) Yes (mono) 16-bit 48 kHz Yes Yes (HD/SD-SDI BNC) Yes (Type A) EF or PL mount; modular; 50 Mbps MPEG-2 4:2:2; ISO 320-20000
Canon EOS C300 Mark II 2015 16000 Super 35mm CMOS (8.85 MP, 4K DCI native) 4K DCI (4096x2160) 4K/60p; 2K/60p; 1080p/120p XF-AVC (H.264) 4:2:2 10-bit internal (Cinema RAW via ext.) Dual CFast 2.0 4.0" LCD touchscreen (1.23M dots, monitor unit) Yes (1.55MP EVF) Yes (ND1/4; ND1/16; ND1/64) 149x183x183 1530 3.5mm TRS; 2x XLR 3-pin (monitor unit, 48V) 4 Phantom 48V (XLR) Yes (mono) 24-bit 48 kHz Yes Yes (HD/SD-SDI BNC) Yes (Type A) 4K internal XF-AVC 4:2:2 10-bit; up to 15 stops DR; Dual DIGIC DV 5; EF or PL
Canon EOS C300 Mark III 2020 10999 Super 35mm DGO CMOS (26.2x13.8 mm) 4K DCI (4096x2160) 4K/120p; 2K/180p Cinema RAW Light; XF-AVC (H.264/H.265) 4:2:2 10-bit Dual CFexpress + SD 4.0" LCD touchscreen (removable) Yes (OLED EVF) Yes (motorized up to 10 stops) 160x180x170 1770 3.5mm TRS; 2x XLR 3-pin (body; 4-ch via EU-V2 unit) 4 Phantom 48V (XLR) Yes (mono) 24-bit 48 kHz Yes Yes (3G-SDI BNC) Yes (Type A) DGO (Dual Gain Output) sensor; 16+ stops DR; modular; EF or PL mount
Canon EOS C500 2012 30000 Super 35mm CMOS (8.85 MP, 4K DCI native) 4K DCI RAW (ext.); 1080p internal MXF 4K RAW/60p (ext.); 1080p/60i (internal) 4K RAW 10-bit output via dual SDI to external recorder; MPEG-2 Long GOP 50 Mbps (internal MXF) Dual CF (internal MXF) External only via MON terminal Yes (0.52" EVF, 1.55M dots) Yes (motorized Off/2/4/6 stops) 160x179x171 1820 3.5mm TRS; 2x XLR 3-pin (handle, 48V) 2 Phantom 48V (XLR) No 16-bit 48 kHz Yes Yes (Dual 3G-SDI for 4K RAW out) Yes (Type A) 4K RAW only via dual SDI; internal records 1080p MXF only; EF or PL mount
Canon EOS C500 Mark II 2019 15999 Full Frame CMOS (38.1x20.1 mm, 18.69 MP) 5.9K (5952x3140) 5.9K/60p; 4K/120p Cinema RAW Light; XF-AVC (H.264/H.265) 4:2:2 10-bit 1x CFexpress + 2x SD 4.0" LCD touchscreen (removable) Yes (OLED EVF) Yes (motorized up to 10 stops) 160x180x170 1730 3.5mm TRS; 2x XLR 3-pin (48V, expandable) 4 Phantom 48V (XLR) Yes (mono) 24-bit 48 kHz Yes Yes (3G-SDI BNC) Yes (Type A) Full-frame Cinema EOS; 15+ stops DR; EF/PL/LPL mount; S35 and S16 crop modes
Canon EOS C70 2020 5499 Super 35mm DGO CMOS 4K DCI (4096x2160) 4K/120p; 1080p/180p Cinema RAW Light; XF-AVC (H.264/H.265); MP4 Dual SD/SDHC/SDXC (UHS-II) 3.5" fully articulating LCD touchscreen (2.76M dots) No Yes (motorized up to 10 stops) 160x130x116 1190 3.5mm TRS; 2x mini-XLR 3-pin (body, 48V) 4 Plug-in power; Phantom 48V (mini-XLR) Yes (stereo) 24-bit 48 kHz Yes No Yes (Type A) First Cinema EOS with RF mount; DGO sensor; 16+ stops DR; DIGIC DV 7; no SDI
Canon EOS C700 2016 35000 Super 35mm CMOS (26.2x13.8 mm) 4K DCI (4096x2160); 4.5K RAW 4K/72p (internal CFast); higher via ext. XF-AVC; ProRes (optional); Cinema RAW via optional recorder Dual CFast 2.0 Optional EVF-V70 3.0" OLED (not built-in) Optional (EVF-V70 OLED accessory) Yes (dual motorized filter wheels; up to 10 stops) 167x154x327 3440 3.5mm TRS; 2x XLR 3-pin (48V, 4-ch recording) 4 Phantom 48V (XLR) No 24-bit 48 kHz Yes Yes (Dual 3G-SDI BNC) Yes (Type A) Broadcast/cinema flagship; EF/PL/GS PL mount; also C700 FF (Full Frame, 2018)
Canon EOS C400 2024 7999 Full Frame CMOS BSI stacked (6K native) 6K Full Frame 6K/60p; 4K/120p Cinema RAW Light 12-bit (CFexpress); XF-AVC/MP4 proxy (SD) 1x CFexpress (RAW) + 1x SD (proxy) 3.5" LCD touchscreen (USB-C detachable) No Yes (mechanical filter wheel; 2/4/6/8/10 stops) 142x134x134 1580 3.5mm TRS; 2x mini-XLR (body); 4-ch via shoe adapter 4 Plug-in power; Phantom 48V (mini-XLR) Yes (mono) 24-bit 48 kHz Yes Yes (12G-SDI + 3G-SDI) Yes (full-size HDMI) Full-frame; triple base ISO 800/3200/12800; Dual Pixel AF II; RF mount; compact/lightweight
Panasonic AG-AC160 2011 3500 3x 1/3" 3MOS CMOS (2.2 MP each) 1080p (1920x1080) 1080p/60p AVCHD (H.264 up to 28 Mbps) Dual SD/SDHC/SDXC 3.45" LCD Yes (0.45" LCoS EVF, 1.23M dots) Yes (3-position) 180x195x438 2300 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes Yes (HD-SDI) Yes HD-SDI; variable frame rate; Linear PCM; AVCCAM lineup
Panasonic AG-AC90 2012 2250 1/4.7" 3MOS CMOS (2.19 MP each) 1080p (1920x1080) 1080p/60p AVCHD (H.264 up to 28 Mbps) Dual SD/SDHC/SDXC 3.5" LCD (1.15M dots, rotatable) Yes (LCoS EVF) Yes (3-position) 160x195x350 1610 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes No Yes 3MOS sensor system; no SDI; successor to AG-AC130/160 in compact segment
Panasonic AG-DVX200 2015 3995 Four Thirds MOS (13.35 MP effective) 4K DCI (4096x2160) 4K/60p; 1080p/120fps MPEG-4 AVC/H.264; MOV; MP4; AVCHD Dual SD/SDHC/SDXC (UHS-I) 4.3" HD LCD (2.76M dots) Yes (0.39" OLED, 2.36M dots) Yes (Off; 1/4; 1/16; 1/64) 216x181x374 2700 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes Yes (SDI OUT) Yes Fixed 13x zoom lens; Four Thirds sensor; variable frame rates; 4K/60p
Panasonic AU-EVA1 2017 7345 Super 35 (24.60x12.97 mm), 5.7K CMOS 5.7K (5720x3016); 4K DCI (4096x2160) 4K DCI/30fps; 1080p/60fps Cinema DNG (RAW); MOV (H.265/HEVC or H.264) Dual SD/SDHC/SDXC None (small status LCD on side) No (optional accessory) Yes (2/4/6-stop e-ND via dial) 135x133x170 1200 2x XLR 3-pin (integrated on body, 48V) 2 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (6G-SDI) Yes (HDMI 2.0) Super 35 EF-mount; 14+ stops DR; V-Log/V-Gamut; simultaneous SDI+HDMI output
Panasonic AG-CX10 2019 2795 1/2.5" MOS (8.29 MP) 4K UHD (3840x2160) 4K UHD/30p; 1080p/120fps H.264/MPEG-4 AVC; H.265/HEVC; MOV; P2 MXF (AVC-Intra) Dual SD/SDHC/SDXC + microP2 3.5" LCD (2.76M dots) Yes (0.24" EVF, 1.56M dots) Yes (1/4; 1/16; 1/64) 129x159x257 900 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (SDI OUT) Yes Supports NDI|HX; smallest/lightest Panasonic 4K pro cam at launch
Panasonic AG-CX350 2019 3995 1.0" MOS (15.03 MP effective) 4K UHD (3840x2160) 4K/60fps; 1080p/120fps MOV (AVC/H.264 4:2:2 10-bit or HEVC); AVCHD; P2 MXF Dual microP2/SDXC UHS-II 3.2" TFT LCD (1.62M dots) Yes (0.39" OLED, 2.36M dots) Yes (Clear; 1/4; 1/16; 1/64) 180x173x311 1900 2x XLR 3-pin 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (SDI) Yes NDI HX1 support; 10-bit 4:2:2 internal; 4-channel audio; 1" sensor
Panasonic VariCam 35 2014 29000 Super 35 MOS (~8.9 MP) 4K DCI (4096x2160) 4K/120fps AVC-Intra 4K; AVC-Intra; Apple ProRes; P2 card recording P2 / microP2 cards Optional (detachable control panel) Optional OLED EVF accessory No (external ND) 179x230.5x347 5000 2x XLR 3-pin 4 Phantom 48V No 24-bit 48 kHz Yes Yes (3G-HD-SDI x4 QUAD for 4K) No Dual native ISO 800/5000; 14+ stops DR; PL mount; modular cinema camera
Panasonic VariCam LT 2016 18000 Super 35 MOS (~8.9 MP; same sensor as VariCam 35) 4K DCI (4096x2160) 4K/60fps; 1080p/240fps AVC-Intra 4K; AVC-Intra; Apple ProRes; P2/microP2 P2 / microP2 cards Small built-in on control panel Optional OLED EVF accessory No 184x230.5x247 2700 1x XLR 5-pin + 2x XLR 3-pin (4-ch) 4 Phantom 48V No 24-bit 48 kHz Yes Yes (3x 3G-HD-SDI) No Dual native ISO 800/5000; compact VariCam; EF or PL mount; 14+ stops DR V-Log; SDI only
Panasonic Lumix BS1H 2021 3498 Full Frame (35.6x23.8 mm, 24.2 MP MOS) 6K open gate (5952x3968); 5.9K; 4K/60p 4K/60fps; 5.9K/30fps; 6K/30fps H.265/HEVC 10-bit 4:2:2; H.264 10-bit 4:2:2; MOV/MP4 Dual SD/SDHC/SDXC None (box-style; HDMI/SDI for external monitor) No No 93x93x79 585 3.5mm TRS (XLR via optional DMW-XLR1 hotshoe adapter) 2 Plug-in power (48V via optional XLR adapter) Yes (stereo) 24-bit 48 kHz Yes Yes (3G-SDI BNC) Yes (HDMI Type-A) Box-style cinema camera; L-Mount; dual native ISO; simultaneous SDI+HDMI; unlimited recording
JVC GY-HM200 2014 2495 1/2.3" BSI CMOS (12.4 MP) 4K UHD (3840x2160) 4K/30p; 1080p/60p H.264/MPEG-4 AVC; MOV (4K 150 Mbps) Dual SD/SDHC/SDXC 3.5" LCD No No 173x169x297 1550 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes Yes (3G-SDI) Yes JVC's first compact 4K camcorder; streaming capable; 4:2:2 50 Mbps FHD
JVC GY-HM600 2012 4695 3x 1/3" CMOS (3CMOS, 2.2 MP each) 1080p (1920x1080) 1080p/60p MPEG-2 Long GOP; AVCHD; H.264 (up to 50 Mbps) Dual SD/SDHC/SDXC 3.5" LCD (920K pixels) Yes (0.45" EVF, 1.22M dots) Yes (1/4; 1/16; 1/64) 178x198x416 2400 2x XLR 3-pin (MIC/LINE switchable) 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes Yes (HD/SD-SDI) Yes ENG-style handheld; Fujinon 23x zoom; 29-667mm equiv.
JVC GY-HM650 2012 5695 3x 1/3" CMOS (3CMOS, 2.2 MP each) 1080p (1920x1080) 1080p/60p MPEG-2 Long GOP; AVCHD; H.264 (up to 50 Mbps) Dual SD/SDHC/SDXC 3.5" LCD (920K pixels) Yes (0.45" EVF, 1.22M dots) Yes (1/4; 1/16; 1/64) 178x198x416 2400 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes Yes (HD/SD-SDI) Yes GY-HM600 + built-in Wi-Fi/FTP for wireless news transmission; same body/optics
JVC GY-HM890 2013 8000 3x 1/3" CMOS (3CMOS, 2.07 MP each) 1080p (1920x1080) 1080p/60p MPEG-2 Long GOP; AVCHD; H.264 (up to 50 Mbps) Dual SD/SDHC/SDXC 4.3" LCD (1.15 MP) Yes (0.45" LCoS EVF, 1.22 MP) Yes (Clear; 1/4; 1/16; 1/64) 521x231x242 4000 2x XLR 3-pin (MIC/+48V/LINE) 4 Phantom 48V No (shotgun mic holder included) 16-bit 48 kHz Yes Yes (3G-SDI output + SDI input) Yes Shoulder-mount ENG; Fujinon 20x wide-angle zoom; genlock; timecode I/O
JVC GY-LS300 2015 3995 Super 35 CMOS (~13.5 MP) 4K UHD (3840x2160) 4K/30p; 1080p/60p 4:2:2 50 Mbps H.264 (MOV/MP4/AVCHD; up to 150 Mbps 4K) Dual SD/SDHC/SDXC 3.5" LCD Yes (small EVF) No 159x189x328 1700 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes Yes (3G-SDI) Yes MFT lens mount on Super 35 sensor; variable scan mapping; unique design
JVC GY-HM180 2018 1895 1/2.3" CMOS (12.4 MP) 4K UHD (3840x2160) 4K/30p; 1080p/120fps H.264 (MOV/AVCHD; up to 150 Mbps 4K) Dual SD/SDHC/SDXC 3.5" LCD (920K pixels) Yes (0.24" LCoS EVF, 1.56M pixels) Yes (None; 1/4; 1/16) 148x193x292 1602 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes Yes (3G HD-SDI) Yes 12x zoom; 4:2:2 50 Mbps FHD; no streaming (see GY-HM250)
JVC GY-HM250 2018 1995 1/2.3" CMOS (12.4 MP) 4K UHD (3840x2160) 4K/30p; 1080p/120fps H.264 (MOV/AVCHD; up to 150 Mbps 4K) Dual SD/SDHC/SDXC 3.5" LCD (920K pixels) Yes (0.24" LCoS EVF, 1.56M pixels) Yes (None; 1/4; 1/16) 148x193x292 1602 2x XLR 3-pin 2 Phantom 48V Yes (stereo) 16-bit 48 kHz Yes Yes (3G HD-SDI) Yes Adds live streaming/FTP/web remote vs GY-HM180; built-in lower-thirds graphics
JVC GY-HC500 2019 3900 1" CMOS (9.35 MP effective) 4K UHD (3840x2160) 4K/60p to SSD; 4K/30p to SD Apple ProRes 422/422HQ 10-bit; H.264; MPEG-2 Dual SD/SDHC/SDXC + optional M.2 SSD 3.97" LCD (800x480) Yes (0.4" LCoS EVF, 1280x960) Yes (Off; 1/4; 1/16; 1/64) 195x202x410 2500 2x XLR 3-pin 2 Phantom 48V No 16-bit 48 kHz Yes Yes (3G-SDI) Yes Connected Cam; streaming capable; ProRes 4K/60p to SSD; 20x zoom; no built-in mic
JVC GY-HC550 2019 5500 1" CMOS (9.35 MP effective) 4K UHD (3840x2160) 4K/60p to SSD; 4K/30p to SD Apple ProRes 422/422HQ 10-bit; H.264; MPEG-2 Dual SD/SDHC/SDXC + optional M.2 SSD 3.97" LCD (800x480) Yes (0.4" LCoS EVF, 1280x960) Yes (Off; 1/4; 1/16; 1/64) 195x230x445 3100 2x XLR 3-pin 2 Phantom 48V No 16-bit 48 kHz Yes Yes (3G-SDI) Yes GY-HC500 + built-in wireless LAN antennas; Zixi/SRT/RTMP streaming; graphics overlay
JVC GY-HC900 2018 18500 3x 2/3" CMOS (3-chip, 2.2 MP each) 1080p HD 1080p/120fps slow-mo; 60p MPEG-2; H.264 10-bit 4:2:2 (50 Mbps); optional ProRes (SSD) Dual SD/SDHC/SDXC + optional SSD 3.5" LCD (960x540) Yes (OLED EVF, 854x480) Yes (1/4; 1/16; 1/64) 217x255x435 3900 3x XLR (1x 5-pin + 2x 3-pin) = 4-ch 4 Phantom 48V No 16/24-bit 48 kHz Yes Yes (2x 3G-SDI output + 1x SDI input) Yes Connected Cam; B4 mount; live IP streaming; genlock; timecode; NOT 4K
Blackmagic Design Cinema Camera 2.5K 2012 2995 ~Super 16 (15.6x8.8 mm active) 2.5K (2432x1366) 2.5K/30fps CinemaDNG RAW (lossless 12-bit); Apple ProRes 422; Avid DNxHD Internal 2.5" SSD 5" LCD touchscreen (800x480) No No 124x165x113 1500 3.5mm TRS 2 None (3.5mm only; no phantom power) Yes (stereo) 16-bit 48 kHz Yes Yes (6G-SDI) Yes MFT or EF mount; Thunderbolt port; first Blackmagic cinema camera; 13 stops DR
Blackmagic Design Pocket Cinema Camera (BMPCC) 2013 995 Super 16 (12.48x7.02 mm) 1080p (1920x1080) 1080p/30fps CinemaDNG RAW (lossless); Apple ProRes 422/HQ/LT SDHC/SDXC 3.5" LCD (non-touch) No No 128x66x38 355 3.5mm TRS 2 None (no phantom power) Yes (stereo) 16-bit 48 kHz No (monitoring via HDMI) No Yes (mini HDMI) MFT mount; Super 16 crop; 13 stops DR; ultra-compact; lowest-cost RAW at launch
Blackmagic Design URSA 4K 2014 5000 Super 35 (21.1x11.9 mm, 4K global shutter) 4K (4000x2160) 4K/80fps (RAW 3:1) CinemaDNG RAW; Apple ProRes Dual CFast 2.0 10.1" foldout LCD (1920x1080) + 5" side status No built-in (optional URSA Viewfinder) No 320x221x152 7400 2x XLR 3-pin 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI) Yes EF or PL mount; user-upgradeable sensor module; 15 stops DR claimed
Blackmagic Design URSA 4.6K 2015 7000 Super 35 (25.34x14.25 mm) 4.6K (4608x2592) 4.6K/60fps CinemaDNG RAW; Apple ProRes Dual CFast 2.0 10.1" foldout LCD + 5" side status No built-in (optional) No 320x221x152 7400 2x XLR 3-pin 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI) Yes Same large URSA body; updated 4.6K sensor; 15 stops DR; interchangeable mount (EF/PL/B4)
Blackmagic Design Studio Camera 4K (orig.) 2014 2995 Four Thirds / MFT (18.96x10 mm) 4K UHD / 1080p HD 4K/30fps; HD/60fps CinemaDNG RAW (internal); Apple ProRes CFast cards 10" foldout LCD (1920x1080) No No 310x190x175 2800 2x XLR 3-pin (via 5-pin talkback XLR) 2 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI input/output) No MFT mount; live production/studio; talkback (5-pin XLR); tally; 13 stops DR; SDI only
Blackmagic Design URSA Mini 4K 2015 2995 Super 35 (~21.1x11.9 mm, 4K) 4K (4000x2160) 4K/60fps CinemaDNG RAW; Apple ProRes Dual CFast 2.0 5" foldout LCD touchscreen (1920x1080) No built-in (optional URSA VF) No 149x163x165 2267 2x XLR 3-pin 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI) Yes EF or PL mount; compact vs big URSA; 12 stops DR; no built-in ND or external controls
Blackmagic Design URSA Mini 4.6K 2016 3995 Super 35 (25.34x14.25 mm) 4.6K (4608x2592) 4.6K/60fps CinemaDNG RAW; Apple ProRes Dual CFast 2.0 5" foldout LCD touchscreen (1920x1080) No built-in (optional) No 149x163x165 2267 2x XLR 3-pin 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI) Yes Same URSA Mini body; updated 4.6K sensor; 15 stops DR; EF or PL mount
Blackmagic Design URSA Mini Pro 4.6K 2017 5995 Super 35 (25.34x14.25 mm) 4.6K (4608x2592) 4.6K/60fps Blackmagic RAW (3:1-12:1 Q0-Q5); Apple ProRes; CinemaDNG Dual CFast 2.0 + Dual SD UHS-II + USB-C 5" foldout LCD touchscreen (1920x1080) No built-in (optional URSA VF) Yes (clear/2/4/6-stop ND wheel) 149x163x165 2300 2x XLR 3-pin (MIC/LINE/AES switchable) 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI) No Adds interchangeable lens mount (EF/PL/B4/F); external controls; built-in ND; 15 stops DR; no HDMI
Blackmagic Design URSA Mini Pro 4.6K G2 2019 5995 Super 35 (25.34x14.25 mm) 4.6K (4608x2592) 4.6K/120fps; 1080p/300fps windowed Blackmagic RAW; Apple ProRes (all variants) Dual CFast 2.0 + Dual SD UHS-II + USB-C 3.1 Gen 1 5" foldout LCD touchscreen (1920x1080) No built-in (optional) Yes (clear/2/4/6-stop ND wheel) 149x163x165 2300 2x XLR 3-pin (MIC/LINE/AES) 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI) No Greatly improved high-speed vs Mini Pro; USB-C 3.1 Gen 1; interchangeable mount; 15 stops DR; no HDMI
Blackmagic Design Pocket Cinema Camera 4K 2018 1295 Four Thirds (18.96x10 mm) 4K DCI (4096x2160) 4K DCI/UHD 60fps; 1080p/120fps Blackmagic RAW (3:1-12:1); Apple ProRes 422 HQ/422/LT/Proxy Dual CFast 2.0 + SD UHS-II + USB-C 5" LCD touchscreen (1920x1080) No (optional EVF accessory) No 178x97x86 720 2x mini-XLR 3-pin; 3.5mm TRS 4 Phantom 48V (mini-XLR) Yes (stereo) 24-bit 48 kHz Yes No Yes (full-size HDMI) MFT mount; dual native ISO 400/3200; 13 stops DR; no SDI; no built-in ND
Blackmagic Design URSA Mini Pro 12K 2020 9995 Super 35 (27.03x14.25 mm, 12K RGBW) 12K (12288x6480) 12K/60fps; 8K/120fps; 4K/240fps (S16 windowed) Blackmagic RAW ONLY (5:1-18:1; Q0-Q5) — no ProRes Dual CFast 2.0 + Dual SD UHS-II + USB-C 3.1 Gen 2 5" foldout LCD touchscreen (1920x1080) No built-in Yes (clear/2/4/6-stop IR ND wheel) 234x150x149 2550 2x XLR 3-pin (MIC/LINE/AES) 4 Phantom 48V Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI) No 80 MP per frame; RGBW sensor; 14 stops DR; RAW only (no ProRes); DaVinci Resolve included; no HDMI
Blackmagic Design Pocket Cinema Camera 6K 2019 2495 Super 35 (23.10x12.99 mm) 6K (6144x3456) 6K/50fps; 4K/60fps; 1080p/120fps Blackmagic RAW (3:1-12:1; Q0-Q5); Apple ProRes 422 Dual CFast 2.0 + SD UHS-II + USB-C 5" LCD touchscreen (1920x1080) No (optional EVF accessory) No 178x97x102 900 2x mini-XLR 3-pin; 3.5mm TRS 4 Phantom 48V (mini-XLR) Yes (stereo) 24-bit 48 kHz Yes No Yes (full-size HDMI) Canon EF mount; dual native ISO 400/3200; 13 stops DR; no SDI; no built-in ND
Blackmagic Design Pocket Cinema Camera 6K Pro 2021 2789 Super 35 (23.10x12.99 mm) 6K (6144x3456) 6K/50fps; 4K/60fps; 1080p/120fps Blackmagic RAW (3:1-12:1; Q0-Q5); Apple ProRes 422 Dual CFast 2.0 + SD UHS-II + USB-C 5" LCD touchscreen (1920x1080, 1500 nits, tiltable) Optional (Blackmagic Pocket Pro EVF) Yes (clear/2/4/6-stop IR ND wheel) 180x123x112 1240 2x mini-XLR 3-pin; 3.5mm TRS 4 Phantom 48V (mini-XLR) Yes (stereo) 24-bit 48 kHz Yes No Yes (full-size HDMI) Adds built-in ND + EVF port vs BMPCC 6K; Canon EF mount; 13 stops DR; no SDI
Blackmagic Design Pocket Cinema Camera 6K G2 2022 2495 Super 35 (23.10x12.99 mm) 6K (6144x3456) 6K/50fps; 4K/60fps; 1080p/120fps Blackmagic RAW; Apple ProRes 422 Dual CFast 2.0 + SD UHS-II + USB-C 5" LCD touchscreen (1920x1080, 1500 nits) No (optional EVF accessory) No 180x123x112 1200 2x mini-XLR 3-pin; 3.5mm TRS 4 Phantom 48V (mini-XLR) Yes (stereo) 24-bit 48 kHz Yes No Yes (full-size HDMI) Redesigned body matching 6K Pro; adds USB-C recording; no built-in ND; Canon EF mount
Blackmagic Design Pocket Cinema Camera 6K Full Frame 2023 2855 Full Frame (36x24 mm) 6K open gate (6048x4032 3:2) 6K open gate/36fps; 6K 2.4:1/60fps; 4K/60fps; 1080p/120fps Blackmagic RAW (3:1-12:1; Q0-Q5); H.264 proxy CFexpress Type B + USB-C 5" LCD touchscreen (1920x1080, 1500 nits) Optional (Blackmagic Pocket Pro EVF) No 180x122x94 1200 2x mini-XLR 3-pin; 3.5mm TRS 4 Phantom 48V (mini-XLR) Yes (stereo) 24-bit 48 kHz Yes No Yes (HDMI) L-Mount; full-frame in Pocket body; CFexpress Type B; dual native ISO; 13 stops DR; no SDI
Blackmagic Design Studio Camera 4K Plus G2 2021 1295 Four Thirds (17.78x10 mm) 4K UHD/60fps 4K/60fps Blackmagic RAW (3:1-12:1; Q0-Q5) 2x USB-C 3.1 Gen 1 (external media) 7" LCD touchscreen (1920x1200, 600 nits) No No 3.5mm TRS (no XLR) 2 None (3.5mm only; no phantom power) Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI input/output) Yes (HDMI 2.0) MFT mount; live production; lower brightness vs Pro; USB Ethernet; no XLR; no ND
Blackmagic Design Studio Camera 4K Pro G2 2021 1795 Four Thirds (17.78x10 mm) 4K UHD/60fps 4K/60fps Blackmagic RAW (3:1-12:1; Q0-Q5) 2x USB-C 3.1 Gen 1 (external media) 7" LCD touchscreen (1920x1200, 2000 nits) No No 2x XLR 3-pin; 5-pin XLR talkback; 3.5mm TRS 2 Phantom 48V (XLR) Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI input/output) Yes (HDMI 2.0) MFT mount; 10G Ethernet for IP production; talkback; tally; 13 stops DR; live studio
RED Digital Cinema EPIC-X (MX) 2011 34500 Super 35 (27.7x14.6 mm) 5K (5120x2700) 5K/~48fps; 2K/120fps REDCODE RAW (R3D); H.264/MP4 proxy RED MINI-MAG SSD None (external module add-on) No (external EVF module) No 102x102x140 2270 3.5mm TRS on body; XLR via expander module 2 Phantom 48V (via expander module) Yes (stereo) 24-bit 48 kHz Via expander module only Via expander module (3G/HD-SDI) Via expander module Cast aluminum DSMC body; HDRx dual-exposure; modular system; all I/O via expander
RED Digital Cinema EPIC-M (MX) 2011 39500 Super 35 (27.7x14.6 mm) 5K (5120x2700) 5K/~48fps; 2K/120fps REDCODE RAW (R3D); H.264/MP4 proxy RED MINI-MAG SSD None (external module add-on) No (external EVF module) No 102x102x140 2270 3.5mm TRS on body; XLR via expander module 2 Phantom 48V (via expander module) Yes (stereo) 24-bit 48 kHz Via expander module only Via expander module Via expander module Hand-machined version of EPIC-X; identical imaging specs; 2-year warranty
RED Digital Cinema SCARLET-X (MX) 2011 9750 Super 35 (27.7x14.6 mm) 4K RAW (4096x2160) 4K/48fps; 2K/120fps REDCODE RAW (R3D); H.264/MP4 proxy RED MINI-MAG SSD None (external module) No No 102x102x140 2270 3.5mm TRS on body; XLR via expander 2 Phantom 48V (via expander) Yes (stereo) 24-bit 48 kHz Via expander only Via expander module Via expander module Lower-cost DSMC entry; capped at 4K RAW; same sensor footprint as EPIC-MX
RED Digital Cinema EPIC Dragon (6K) 2013 24000 Super 35 (30.7x15.8 mm) 6K (6144x3160) 6K/100fps 2.4:1; 6K FF/75fps REDCODE RAW (R3D); H.264/MP4 proxy RED MINI-MAG SSD None (external module) No No 102x102x140 2270 3.5mm TRS on body; XLR via expander 2 Phantom 48V (via expander) Yes (stereo) 24-bit 48 kHz Via expander only Via expander module Via expander module Dragon sensor upgrade; 19.4 MP; 16.5+ stops DR; available as EPIC-X Dragon or EPIC-M Dragon
RED Digital Cinema SCARLET Dragon 2014 15000 Super 35 (30.7x15.8 mm) 6K/12fps; 5K/48fps 5K/48fps; 6K/12fps max REDCODE RAW (R3D); H.264/MP4 proxy RED MINI-MAG SSD None No No 102x102x140 2270 3.5mm TRS on body; XLR via expander 2 Phantom 48V (via expander) Yes (stereo) 24-bit 48 kHz Via expander only Via expander Via expander Entry DSMC with Dragon sensor; limited fps at 6K compared to EPIC Dragon
RED Digital Cinema WEAPON Dragon 6K (DSMC2) 2015 24500 Super 35 (30.7x15.8 mm) 6K (6144x3160) 6K/100fps 2.4:1; 6K FF/75fps REDCODE RAW + simultaneous ProRes (4444 XQ through 422) or DNxHR/HD RED MINI-MAG SSD (up to 300 MB/s) None (expander can add 2.4" LCD) No No 102x102x140 1590 3.5mm TRS on body; dual XLR via expander 2 Phantom 48V (via expander) Yes (stereo) 24-bit 48 kHz Via expander Via expander (3G/12G-SDI) Via expander First DSMC2 gen; simultaneous RAW+ProRes/DNx recording; also WEAPON 4.5K Dragon variant
RED Digital Cinema RAVEN (DSMC2) 2016 6950 Super 35 cropped (23.0x10.8 mm) 4.5K (4608x2160) 4.5K/120fps; 2K/240fps REDCODE RAW; ProRes/DNxHD RED MINI-MAG SSD None No No 102x102x140 1590 3.5mm TRS on body; XLR via expander 2 Phantom 48V (via expander) Yes (stereo) 24-bit 48 kHz Via expander Via expander Via expander Entry-level DSMC2; EF mount native; Dragon sensor; 16.5 stops DR
RED Digital Cinema SCARLET-W (DSMC2) 2016 9950 Super 35 (~28.3x14.8 mm) 5K (5120x2700) 5K/60fps 2.4:1; 4K/150fps REDCODE RAW; ProRes/DNxHR RED MINI-MAG SSD None No No 102x102x140 1590 3.5mm TRS on body; XLR via expander 2 Phantom 48V (via expander) Yes (stereo) 24-bit 48 kHz Via expander Via expander (3G-SDI) Via expander Budget DSMC2 with Dragon 5K sensor; 16.5 stops DR
RED Digital Cinema WEAPON Helium 8K (DSMC2) 2016 24500 Super 35 (29.90x15.77 mm) 8K (8192x4320) 8K/60fps; 4K/120fps; 2K/300fps REDCODE RAW + ProRes (4444 XQ through 422) + DNxHR/HD RED MINI-MAG SSD (up to 300 MB/s) None (expander can add 2.4" LCD) No No 102x102x140 1520 3.5mm TRS on body; dual XLR via expander 2 Phantom 48V (via expander) Yes (stereo) 24-bit 48 kHz Via expander Yes (12G-SDI via DSMC2 expander) Via expander 35.4 MP; 16.5 stops DR; also available as EPIC-W Helium
RED Digital Cinema MONSTRO 8K VV (DSMC2) 2018 49500 Full Frame VV (40.96x21.60 mm) 8K (8192x4320) 8K/60fps; 4K/120fps; 2K/300fps REDCODE RAW + ProRes (4444 XQ through 422) + DNxHR/HD RED MINI-MAG SSD (up to 300 MB/s) None No No 102x102x140 1520 3.5mm TRS on body; dual XLR via expander 2 Phantom 48V (via expander) Yes (stereo) 24-bit 48 kHz Via expander Yes (12G-SDI via expander) Via expander Flagship DSMC2; 35.4 MP; 17 stops DR; VistaVision full-frame format; also CF body
RED Digital Cinema GEMINI 5K S35 (DSMC2) 2018 24500 Super 35 (30.72x18.00 mm) 5K (5120x3000) 5K/75fps; 2K/300fps REDCODE RAW; ProRes; DNxHR RED MINI-MAG SSD None No No 102x102x140 1520 3.5mm TRS on body; XLR via expander 2 Phantom 48V (via expander) Yes (stereo) 24-bit 48 kHz Via expander Yes (12G-SDI via expander) Via expander Dual native ISO 800/3200; 15.4 MP; notable low-light cinema camera in DSMC2 lineup
RED Digital Cinema DRAGON-X 5K (DSMC2) 2018 14950 Super 35 (~28.3x14.8 mm) 5K (5120x2700) 5K/96fps; 5K 2.4:1/120fps REDCODE RAW; ProRes; DNxHR RED MINI-MAG SSD None No No 102x102x140 1520 3.5mm TRS on body; XLR via expander 2 Phantom 48V (via expander) Yes (stereo) 24-bit 48 kHz Via expander Via expander Via expander Entry-level 2018 DSMC2 unified lineup; 13.8 MP Dragon sensor; 16.5 stops DR
RED Digital Cinema KOMODO 6K (DSMC3) 2020 5995 Super 35 (27.03x14.26 mm) 6K (6144x3240) 6K/40fps; 4K/60fps; 2K/120fps REDCODE RAW (HQ/MQ/LQ); Apple ProRes 422 HQ/422 10-bit CFast 2.0 2.9" touchscreen LCD (1440x1440) No No 101.6x101.6x101.6 952 Dual 3.5mm TRS (mic + headphone); XLR via optional adapter 2 Plug-in power (3.5mm); Phantom 48V via optional XLR adapter Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI built-in) No Compact; Canon RF mount; WiFi; 19.9 MP; 16.5 stops DR; built-in SDI; no HDMI
RED Digital Cinema V-RAPTOR 8K VV (DSMC3) 2021 24500 Full Frame VV (40.96x21.60 mm) 8K (8192x4320) 8K/120fps; 8K 2.4:1/150fps; 2K/600fps REDCODE RAW (HQ/MQ/LQ); Apple ProRes (4444 XQ through 422 LT) 16-bit RAW CFexpress Type B (up to 800 MB/s) 2.4" control LCD (compatible w/ 7" RED Touch LCD) No (external EVF compatible) No 152x108x108 1830 5-pin audio port (dual channel mic/line/+48V) 2 Phantom 48V (built-in via 5-pin audio port) Yes (stereo) 24-bit 48 kHz Yes (via breakout) Yes (Dual 12G-SDI built-in) No DSMC3 generation; 35.4 MP; 17+ stops DR; Canon RF mount; fastest RED at launch; no HDMI
RED Digital Cinema V-RAPTOR 8K S35 (DSMC3) 2022 19500 Super 35 (~29.90x15.77 mm) 8K S35 8K/120fps; 2K/600fps REDCODE RAW; Apple ProRes CFexpress Type B 2.4" control LCD (compatible w/ 7" RED Touch LCD) No No 152x108x108 1830 5-pin audio port (dual channel mic/line/+48V) 2 Phantom 48V (5-pin audio port) Yes (stereo) 24-bit 48 kHz Yes (via breakout) Yes (Dual 12G-SDI built-in) No S35-specific DSMC3; same brain as VV version; optimized for Super35 lens ecosystem
RED Digital Cinema KOMODO-X 6K (DSMC3) 2023 9995 Super 35 (27.03x14.26 mm) 6K (6144x3240) 6K/80fps; 4K/120fps; 2K/240fps REDCODE RAW (HQ/MQ/LQ); ProRes (4444 XQ through 422 LT) 10-bit CFexpress Type B 2.4" LCD No No 129.4x101.3x95.3 1190 5-pin audio port (dual channel mic/line/+48V) 2 Phantom 48V (5-pin audio port) Yes (stereo) 24-bit 48 kHz Yes Yes (12G-SDI built-in) No Global shutter; 19.9 MP; Canon RF mount; improved fps/storage vs KOMODO; no HDMI
Z CAM E2 2018 1999 Micro Four Thirds (MFT) 4K DCI (4096x2160) 4K/120fps H.265/H.264; Apple ProRes; ZRAW (proprietary RAW) CFast 2.0 None (HDMI output for external monitoring) No No 91.2x99.2x89.1 757 3.5mm TRS; 5-pin LEMO (dual XLR via adapter) 2 Plug-in power (3.5mm); Phantom 48V via LEMO adapter No 24-bit 48 kHz No No Yes (HDMI 2.0, 4K 60 10-bit 4:2:2) Compact cube form; 10-bit 4:2:2 internal; MFT sensor; no built-in mic
Z CAM E2-M4 2020 1999 Micro Four Thirds (4/3") 4K DCI (4096x2160) 4K/160fps H.265/H.264; ProRes 422HQ-Proxy; ZRAW 12-bit; ProRes RAW via HDMI CFast 2.0 (Mark II: CFexpress Type B) None (HDMI for external monitor) No No 91x91x99 930 3.5mm TRS; 5-pin LEMO (dual XLR via adapter) 2 Plug-in power (3.5mm); Phantom 48V via LEMO adapter No 24-bit 48 kHz No Mark II adds SDI Yes (HDMI 2.0) MFT sensor; highest fps in E2 at MFT; Mark II (2025) adds SDI and CFexpress; no built-in mic
Z CAM E2-S6 2019 2995 Super 35 6K (6144x3240) 6K/60fps; 4K/75fps; 1080p/120fps H.265/H.264; ProRes; ZRAW; ProRes RAW/BRAW via HDMI (to ext.) CFast 2.0 None (no built-in monitor) No No 91x99x122 1090 3.5mm TRS; 5-pin LEMO (dual XLR via adapter) 2 Plug-in power (3.5mm); Phantom 48V via LEMO adapter No 24-bit 48 kHz No No (Mark II adds SDI) Yes (HDMI 2.0, 4K 60 10-bit 4:2:0) 14 stops DR; 10-bit 4:2:2 internal; EF/PL/MFT mount options; cube body; no built-in mic
Z CAM E2-F6 2019 3999 Full Frame (35.97x23.98 mm) 6K Full Frame 6K/60fps; 4K/120fps H.265/H.264; ProRes; ZRAW CFast 2.0 None (no built-in monitor) No No 91x99x122 1090 3.5mm TRS; 5-pin LEMO (dual XLR via adapter) 2 Plug-in power (3.5mm); Phantom 48V via LEMO adapter No 24-bit 48 kHz No No Yes (HDMI 2.0, 4K 60 10-bit 4:2:2) 15 stops DR; full-frame in compact cube body; EF or PL mount; Mark II $3,499 (2025)
Z CAM E2-F8 2019 5995 Full Frame (35.97x23.98 mm, 61 MP) 8K (8192x3456) 8K/30fps; 4K/60fps H.265/H.264; ProRes; ZRAW 12-bit RAW CFast 2.0 None (no built-in monitor) No No 91x99x122 1090 3.5mm TRS; 5-pin LEMO (dual XLR via adapter) 2 Plug-in power (3.5mm); Phantom 48V via LEMO adapter No 24-bit 48 kHz No No Yes (HDMI 2.0, 4K 60 10-bit 4:2:2) Highest resolution E2; 14 stops DR; EF or PL mount; slowest fps due to sensor readout
Z CAM E2-S6G 2021 5995 Super 35 (global shutter) 6K open gate (6144x4096) 6K/50fps; 4K/70fps Apple ProRes; ZRAW CFast 2.0 None (no built-in monitor) No No 91.2x99.25x122.25 1090 3.5mm TRS; 5-pin LEMO (dual XLR via adapter) 2 Plug-in power (3.5mm); Phantom 48V via LEMO adapter No 24-bit 48 kHz No No Yes (HDMI 2.0) Global shutter variant of E2-S6; 14 stops DR; ideal for action/strobe/VFX; cube body
ARRI AMIRA 2014 39999 Super 35 (28.25x18.17 mm) — ALEV III CMOS 2K (2048x1152) / UHD 3.8K (Premium license) 1080p/200fps (Premium); 0.75-200fps variable Apple ProRes (4444 XQ through 422 Proxy); DNxHD (Avid license) CFast 2.0 4" flip-out LCD + MVF-1 OLED/LCD EVF (in sets) Yes — MVF-1 OLED eyepiece + fold-away LCD (included in sets) Yes (motorized internal ND filter wheel: 0.6/1.2/2.1 ND) 139x149x309 4100 2x XLR 3-pin + 1x XLR 5-pin (all switchable to 48V phantom or AES3) 4 Phantom 48V No 24-bit 48 kHz Yes Yes (HD-SDI 1.5G/3G/6G uncompressed) No ENG-style ergonomics with ALEXA sensor quality; same ALEV III as ALEXA; license-based feature unlocking; SDI only (no HDMI)
DJI Ronin 4D-6K 2021 6800 Full Frame CMOS (Zenmuse X9-6K, 24.1 MP) 6K (6008x3168) 6K/60fps; 4K/120fps Apple ProRes RAW HQ/RAW; ProRes 4444 XQ; ProRes 422 HQ/LT; H.264 DJI PROSSD; CFexpress 2.0 Type B; USB-C SSD 5.5" LCD touchscreen (1920x1080, 1000 nits) No Yes (built-in 9-stop ND filter) 235x115x160 1450 1x 3.5mm TRS (XLR/SDI via optional expansion plate) 2 Plug-in power (3.5mm); Phantom 48V via optional expansion plate Yes (stereo, 24-bit) 24-bit 48 kHz Yes Via optional expansion plate only Yes (HDMI 2.0, Type-A) Integrated 4-axis gimbal; LiDAR AF; modular; dimensions include gimbal+camera system
DJI Ronin 4D-8K 2023 13000 Full Frame CMOS (Zenmuse X9-8K, 44.7 MP) 8K (8192x4320) 8K 2.39:1/75fps; 8K 17:9/60fps; 4K/120fps Apple ProRes RAW HQ/RAW; ProRes 422 HQ; H.264 DJI PROSSD; CFexpress 2.0 Type B 5.5" LCD touchscreen (1920x1080, 1000 nits) No Yes (9-stop ND) 235x115x160 1450 1x 3.5mm TRS (XLR/SDI via optional expansion plate) 2 Plug-in power (3.5mm); Phantom 48V via expansion plate Yes (stereo) 24-bit 48 kHz Yes Via optional expansion plate only Yes (HDMI 2.0) Upgraded Zenmuse X9-8K sensor vs 6K; same Ronin 4D platform; 14+ stops DR
Kinefinity TERRA 4K 2017 3999 Sub-Super 35 (~23.1x15.4 mm) 4K DCI (4096x3072 open gate; 4096x2160) 4K/160fps Apple ProRes (4444; 422 HQ); KineRAW 12-bit (proprietary) KineMON SSD module (proprietary) None (modular accessory) No No (ND via optional KineBACK module) 150x100x100 990 3.5mm TRS; dual XLR via KineBACK module (48V) 2 Plug-in power (3.5mm); Phantom 48V via KineBACK module No 24-bit 48 kHz Via KineBACK module Dual 3G-SDI via KineBACK module Yes (HDMI on body) Modular; KineBACK adds XLR/SDI/V-lock/ND; dual native ISO 800/3200; no built-in mic
Kinefinity MAVO LF 2019 11999 Full Frame Large Format (36x24 mm) 6K (6048x4032 open gate); 6K Wide/75fps 6K Wide/75fps; higher at lower res Apple ProRes (4444 through 422 LT); KineRAW 12-bit KineMAG SSD (proprietary) None (accessory) No No 106x124x109 1370 3.5mm TRS; 2x XLR 3-pin (built-in body, 48V phantom) 2 Phantom 48V (XLR, built-in) Yes (mono built-in) 24-bit 48 kHz Yes Yes (dual 3G/1.5G SDI BNC, built-in) Yes Large-format cinema at indie price; dual native ISO; built-in XLR with phantom; Mark 2 released later
Kinefinity MAVO Edge 8K 2020 11999 Full Frame Large Format (36x24 mm) 8K Wide (8192x5472 open gate) 8K Wide/75fps; higher at lower res Apple ProRes (4444 through 422 LT); ProRes RAW; KineRAW 12-bit KineMAG SSD (proprietary) None (accessory) No No ~106x124x109 (carbon fiber) 1200 3.5mm TRS; 2x XLR 3-pin (built-in, 48V phantom) 2 Phantom 48V (XLR, built-in) Yes (built-in mic) 24-bit 48 kHz Yes Yes (dual 1.5G/3G SDI BNC, built-in) Yes 45 MP; dual native ISO 800/3200; 14+ stops DR; internal ProRes RAW; carbon fiber body
Blackmagic Design URSA Cine 12K LF 100G 2026 8995 Large-format RGBW 36x24 mm 12K 440 fps (via SMPTE-2110) Blackmagic RAW, ProRes CFexpress Optional EVF Yes (motorized) XLR 4 48V phantom 24-bit 48 kHz Yes 12G-SDI + 100G Ethernet SMPTE-2110 Yes Announced NAB 2026 (April); Q3 2026 availability; 100G Ethernet + SMPTE-2110 for live production up to 440 fps
Blackmagic Design URSA Cine Immersive 100G 2026 26495 Dual 8Kx8K stereoscopic 8Kx8K (per eye) 90 fps Blackmagic RAW, ProRes 2110-22 CFexpress Yes XLR 4 48V phantom 24-bit 48 kHz Yes 12G-SDI + 100G Ethernet Yes World's first immersive cinema camera for live production; NAB 2026; Q3 2026 availability; 16 stops DR; Apple Vision Pro workflows
Z CAM E2N Mark II 2026 1400 Micro Four Thirds (4/3") 4K UHD 4K59.94p H.264, H.265, NDI|HX3 SD/CFexpress No 660 3.5mm 2 48 kHz Yes Debuted NAB 2026 (Apr 18, 2026); MFT-mount NDI broadcast camera; adds 10-bit color + 10 GbE + NDI|HX3 vs original E2N
ARRI ALEXA 35 Live Xtreme 2026 Super 35 (ARRI ALEV 4) 4K UHD (4.6K sensor) 480 fps (Sensor Overdrive); 330 fps at 17 stops DR ARRIRAW, ProRes, ARRICORE Codex Compact Drive EVF-2 compatible Motorized internal FSND (0.6-2.4) XLR 4 48V phantom 24-bit 48 kHz Yes Dual 12G-SDI (8x HFR HD / 2x UHD via baseband) Yes Released July 7, 2026; live-production variant with HFR SDI output for sports broadcast; PIP tracking zoom; ARRICORE codec; body ~$80,000+ tier
Sony FX5 (ILME-FX5) 2026 4898 Full Frame 35mm (16.6MP fully-stacked CMOS) 5K Open Gate (3:2) 5K/60p, 4K/120p (up to 240p), FHD/240p X-OCN (internal RAW), XAVC HS, XAVC S-I, XAVC S Dual CFexpress Type A / SDXC UHS-II Tiltable touchscreen LCD Tiltable EVF (EVF3-class) Electronic Variable ND 3.5mm; XLR via top handle 4 48V phantom (XLR handle) Yes 24-bit 48 kHz Yes Yes (Type A full-size) Announced July 22, 2026; sales began Aug 2026; 15+ stops DR; three base ISOs (800/4,000/12,800); first FX-series with internal X-OCN RAW; kit w/ XLR handle $5,500
